Matt Toder has a piece up at Gizmodo on the new Final Cut Pro X, and how in spite of all the new features, he’s dumping it for Avid.  Mostly, the entire review is summed up in this one sentence:

And now we’ve been given a glimpse of FCPX, a massive, from-the-ground-up revision of Final Cut Pro which proves one thing definitively: that Apple understood many of the problems that were inherent to Final Cut Pro. But, instead of fixing them, they just decided to change everything.

He does break it down into more details tho, particularly in how the new interface seems to go a little too far towards automation, taking away some valuable controls.

The biggest, most apparent change is the absence of the source monitor: it’s the iMovie-ing of non-linear editing. Of all the people watching the preview, applauding wildly and yelling out “I want it!” and “thank you,” I can’t believe that one person didn’t scream, “where’s the freaking source monitor?” This represents a gigantic change in the way non-linear editing occurs, a nearly unfathomable one. Since non-linear editing was invented, the mainstays have been the source monitor, the record monitor, the browser and the timeline. To take one of these away means that non-linear editing has to be rethought entirely. I’m not quite sure how you can set an exact in point without it, especially when you’re forced into using the iMovie yellow selection brackets.

What do you think?  Has Apple embraced the consumer, in lieu of the professional?

via Why Final Cut Pro X Is Sending Me Back to Avid.