Loyalkaspar and LORI PATE+ coupled video from a RED camera with animations done in Flash to create the opening for A&E’s “Tattoo Highway” show.
Browsing Tag vfx
David Kenneth of I.E. Effects talks about how they build the Lamia and various effects for Sam Raimi’s Drag Me To Hell.
Graphics Randall Hand 17 years ago Comments Off on CGArena Animation Magazine June – July 09 Issue 798
CGArena Animation Magazine June – July 09 Issue
The latest issue of the CGArena Animation Magazine is available, featuring some fantastic artwork and interviews.
Graphics Randall Hand 17 years ago Comments Off on Rhythm and Hues talks Night at the Museum 2 1.7 K
Rhythm and Hues talks Night at the Museum 2
A massive collection of Textures, models, and compositing work, the Octopus from Night at the Museum 2 was one of their most complicated rigs.
MaxUnderground sits down to talk with the guys behind the Macchu Picchu post video, discussing the processes and environments that led to the video.
The new FXFactory2.0.7 plugins for AfterEffects, Final Cut, and Motion offer over 300 real-time visual effects on Mac Platforms.
ooo-ii created the computer displays for the new Star Trek movie, and talks about the tools they used to make the hollywood magic.
MPC Vancouver will be presenting their work in a Q&A Session at SIGGRAPH2009 in New Orleans.
Autodesk is hosting some session in Sydney to discuss Flame, Inferno, Smoke, Flare, and talk with some professional Lustre Colorists.
Graphics Randall Hand 17 years ago Comments Off on Facial Animation Toolset v1.2 for Maya now Free 1.1 K
Facial Animation Toolset v1.2 for Maya now Free
The Institute of Animation has released the Facial Animation Toolset v1.2 for Maya for free via their website.
Rhythm & Hues will be presenting their VFX work on the recent Night at the Museum 2, and then a screening of the movie.
Graphics Science Randall Hand 17 years ago Comments Off on Kevin Mack’s most memorable VFX scene 729
Kevin Mack’s most memorable VFX scene
The LA Times sits down with Kevin Mack to talk about his most memorable VFX work, the opening sequence to 1999’s Fight Club.